Beer Wars

If you haven’t yet seen or heard about the movie Beer Wars, you need to check it out.  No matter what industry you work in or whether you like beer or not, the film has something to say about American business and ideals that I think everyone can relate to.  As a beer fan, it made me think about the beers I choose at the store and in the bars.  As a music junkie, it made me think about how the business models of music have affected the industry today.  And as a consumer, it made me think about the businesses I support with my dollars.

Below is the trailer for the film, as well as an interview the filmmaker, Anat Baron, did with the brewheads of the podcast “New Brew Thursday”.  Check ‘em out, then I really encourage you to watch the film.  It’s available via OnDemand, iTunes, Amazon, Netflix – whatever your movie-delivering service of choice.

Posted: February 18th, 2010 under FYI - No Comments. Tags: ,

MiniBoone – Big Changes

I recently received an e-mail that advised me to check out this new NYC band called MiniBoone and their new EP – Big Changes.  I love checking out new music, especially from bands who are just starting to get some buzz.  I mean, who doesn’t want to be able to say, “I was a fan before you heard about them”?  But the risk in covering uncharted musical territory is that while there are some gems to be found, a lot of it is not good.  Or original.  Or worth listening to.

On listening to Big Changes, my first impression went something like this: “Whoa, wait.  These guys are new to the scene?  This is awesome!”  I had to double-check my facts to be sure, but it’s true.  These guys have only been kickin’ out the jams since mid-2008.

Pat yourself on the backs, dear readers, because if my musical compass is correct (and it has been before), you’re going to learn about a band that will make it – before all your friends do.

Fresh out of Brooklyn, MiniBoone is band with a style that I would term indie alt-rock.  All the members have ten years of band experience under their belts, which explains the maturity of their sound.  Every song on the Big Changes EP sounds as though it’s ready for play on satellite radio’s AltNation.  The band arranges energetic drumming, well-placed basslines, keyboard accents, some really great lead guitar work, and interesting vocal harmonies into cohesive units of sound to create an enjoyable play from top to bottom.

They’ve already drawn comparisons to The Strokes, an appropriate conclusion to reach after hearing “Cool Kids Cut Out of The Heart Itself” and “Devil In Your Eyes”.  Perhaps due to the harmonies and upbeat sound that flow throughout the EP, I also catch hints of the band “fun.”. 
“I Need” is my favorite song.  It leads off with a grooving bassline that carries throughout the track and it contains a cool guitar solo that, in my mind, helps cement the idea that though MiniBoone might not yet be on Pitchfork’s radar, they will be soon.

Preview Big Changes below, and then click here to download it in its entirety.

Posted: January 26th, 2010 under Album reviews - 1 Comment. Tags: , , ,

Donuts – The Breakfast of Champion Lyricists

So I was at the gym this morning, listening to my workout playlist on shuffle like I always do.  I didn’t think I was paying attention to much other than the beat and the countdown clock on the machine I was using, but in the middle of “Walk Like An Egyptian” by The Bangles, I caught a line I’d never heard before, though I’ve heard the song a hundred times:

“If you want to find all the cops
They’re hanging out in the donut shop
They sing and dance (oh way oh)…”

It was one of those, “Huh. Who knew?” moments.  I probably would have forgotten all about it, except that not 5 minutes later, during the very next song on the playlist, I heard this:

“Feel it, funk it
Amps it are junking
And I got more rhymes than there’s cops that are dunking
Donuts shop”

At this point, I wondered what in the world my iPod was trying to tell me.  It was almost cruel.  I’m at the gym trying to pound out the miles, and it’s talking about donuts.

It was such a random coincidence that it made me wonder exactly how many songs out there mention donuts.  To answer the question, I did something groundbreaking – I Googled it.  What I found was that while most people talk about the fried confection only as it relates to cops or as a comparison to how “glazed” they are, there are a few lyricists who have found some unique ways to work it into their songs.  Are they reaching?  You be the judge.  Below are some of my favorites:

1.  “This Better Be Good” – Fountains of Wayne
I know you’ll deny It
But don’t even try It
Your half-baked alibi’s so full of holes
I think you might want to stop in at the donut shop
They might buy it
I sure won’t

2.  “Crack Baby” – Ice Cube
You’ve got to be a crack baby, turn into a grown-up
Sharp as a bowling ball, brain like a donut

3. “Up On Cripple Creek” – Bob Dylan
Now there’s one thing in the whole wide world
I sure do love to see
Is how that that little sweet thing of mine
Dips her donut in my tea
(Oh, Bob!)

4. “People Of The Sun” – Rage Against The Machine
Swimming in a sea of funk
Clear tha lane, I’m gonna have to dunk ya
Up and down like a donut in a caffenated drink

Which one gets your vote?  Know a song that tops these?  Think you can top them yourself?  To the comments section!

Posted: January 24th, 2010 under Just Thinking - 1 Comment. Tags: ,

Sex Therapy

Do I have your attention?  Thought I might.  Haha. :p

If you came here looking for sex advice, I’m sorry to disappoint.  I actually lured you here so I can talk about the latest Robin Thicke album and have somebody listen.

^Robin Thicke – Sex Therapy ^

Thicke’s style is not what I’ve been into lately.  He’s a velvet-voiced R&B singer with an amazing falsetto range whose new album is about, as you may have guessed, sex.  My friend John told me that it was the best album he’d heard in the last 12 months.  I was skeptical, because I’ve heard him praise Maxwell, Mos Def, and Jay-Z during that time period.  So he challenged me: get the extended version of “Sex Therapy”, listen to the whole thing, and if I didn’t like it, he would pay for it.  I’m not one to turn down a challenge, particularly one that expands my music collection, so I took him up on it, which brings us here.

I think it’s only fair to let you know that I do have a previous relationship with R&B.  It was my first real love.  My musical tastes matured during the mid-90s under the influence of the harmonies of Boyz II Men, the attitude of TLC, and the swagger of Montell Jordan.  That being said, we’ve drifted apart over the last 15 years (lord, has it really been that long??).  Life got in the way, you might say.  *wistful sigh*

But if there was ever an album to convince someone to have another affair with R&B, “Sex Therapy” is it.  I’ll confess, I groaned at the opening track’s overly-loungey, almost-elevator sound and the cheesy “Please hold for the doctor” sexy female narrator.  In fact, groan-worthy come-ons have a key role in most of the lyrics, but let’s be honest– most come-ons in real life are groan-worthy, and the entire thrust (no pun intended) of this album is to become a soundtrack to the dirty.  But getting past all that, it’s versatile – drifting from R&B vibes, to hip hop, dance, lounge, soul, and back while keeping the same ’sexy’ tone throughout.  Guest artists, such as Jay-Z, Snoop Dogg, and Estelle, are used in the right tracks to add to the songs, rather than as mere proclamations of Thicke’s street cred.  My favorite track on the album is the title song.  It has a beat that reminds me of Omarion’s “Ice Box“, which I will freely admit I adore.  You’ll dig this song if you were getting a little tired of constantly hearing Marvin Gaye in your ‘mood music’ playlist.  To this end, also see “Mrs. Sexy” and “It’s in the Mornin“.  There are some standout club beats included as well, like “Shakin’ It 4 Daddy” and “Rollacoasta“.

I think if you’re able to see past the questionable quality of the lyricism (to all of “Start With A Kiss”, I say, “really?!?“) and you’re into any one of the genres Thicke touches in his album, or if you’ve just been away from them for far too long, you’ll get something out of “Sex Therapy”.

Posted: January 24th, 2010 under Album reviews - 3 Comments. Tags: , ,

Getting My Mojo Back

Now Playing: Sick Puppies – You’re Going Down
(I dig the aggressiveness in the chorus and there’s a cool guitar riff from 2:16-2:27 that makes me happy)

I’ve had a major writer’s block lately, which you can probably tell from the lack of posts.  So instead, I’ve been reading a lot.  Not books (sorry Linds and Les!), but interviews upon interviews with artists of all types – some actors, some musicians, some writers, some directors.  I figured if I can’t come up with my own material, I might gain some inspiration by learning about what others are doing and how they did it.  I’m particularly interested in those who have come from what most people would term “out of nowhere” or from unconventional beginnings.  Some of my favorite stories come from the tales of the creative processes that produce unexpected, against-all-odds hits.

Matt & Kim have one of those stories.  They didn’t pick up their instruments until after graduation from art school and a friend forced them into playing their first show just months after starting.  Five years of almost non-stop touring and two albums later, their hard work paid off.  The self-produced Grand sold 64,000 copies and they’ve picked up an MTV awards for the gutsy “Lessons Learned” video.

Love her or hate her, Stephenie Meyer has another one of those stories.  The Twilight-teller was a stay-at-home mom who didn’t even dream about becoming an author until struck with inspiration in a dream for the vampire tale.  She spent night after night pounding it out on her keyboard, and submitted it to several publishing companies at the behest of her sister.  Six years after the story came to her, her books have sold over 85 million copies and she has reached the top of the New York Times bestseller list twice.

Katy Perry started her journey when she was fifteen years old.  She worked ten years, suffering a failed release and getting dropped by three labels, before finding her footing in the music industry.  She’s now a platinum-selling artist and has headlined a sold-out worldwide tour.

I could go on – the stories are everywhere.  In all my reading, there’s one big theme that stands out to me: very few people get anywhere without putting in loads of hard work.  Sure, there are your “Hills” debutantes, your manufactured pop acts, and your heirs (and heiresses) to the already-established kingdoms of their parents.  And sometimes it does seem as though that’s the type of luck one has to have if they expect to have any success, but it’s simply not true.  Passion for the craft, perseverance, and hard work ultimately win out.

But there’s something else I learned.  For every one person who’s met with great success, there are thousands of others who don’t have their names written in blogs and news articles.  They live in your town, acting in community theaters, playing in bars, and posting their short films on YouTube.  I’ve met quite a few of these types.  While they may aspire to larger venues with bigger crowds, ask them about the show they were in the previous night or the new song their band is working on.  Their eyes will light up as they launch into a detailed description of their current project and how their role in its creation makes them feel.  Spend any length of time with these artists, and it quickly becomes clear that it is their love for what they do that keeps them going.  And that’s enough.

As much as I love the rags-to-riches stories, I think I’m more inspired by the unknown artists who use their talents to provide their communities with music and art scenes. Their efforts provide us with hometown heroes to cheer and real-life, tangible examples for young, fledgling artists to follow.  Without them, our culture would be lacking our storytellers, missing the songs and paintings that future generations will look back on to find out what life was like in our time.

Thanks to them, I think I’ve gotten my writing mojo back.  Though it remains to be proven and the next few weeks will be telling, I’d like to tell the stories of some of these artists – as many as I can meet and talk to.  So if there is an artist in your community that you think deserves some recognition, please let me know about them.

Posted: January 23rd, 2010 under Uncategorized - No Comments. Tags: , , , , , , ,

The Top 10 Songs of 2009 – As Determined By Me

Well, it took me until 2010 to finish wrapping up 2009. The following songs are my top 10 favorite of the year.

Make sure to roll over the icons in front of the song names to hear each song. If you like it and want to download it, click the link below the video.

10. Carnival Barker – Third Eye Blind
This is the second musical interlude on my list. There’s not much to it, just a background groove, but it’s immediately relaxing in my opinion.

9. Summer Town – Third Eye Blind
3EB’s 2003 release Out of the Vein had flashes of the 3EB us babies of the 80s had grown to love, but this year’s Ursa Major marked a return to the formula that brought us back to the good old day of the 90’s. The outro on this song showcases Stephan Jenkins’ signature rhyming vocal style and brings back the exuberant drums of Third Eye Blind of old.

8. Lessons Learned – Matt & Kim
There is so much to respect about this band. They’ve been completely Do-It-Yourself since their inception- booking their own shows and producing their 2009 release Grand all by themselves.  “Lessons Learned” is the only Matt & Kim song on which Kim sings, and there really couldn’t have been a better place to use it.  Not to mention the music video was the gutsiest thing I’ve seen all year.

7. Little Secrets – Passion Pit
Dance, baby, dance.  That’s all you need to know about this song.

6. Beat It – Pomplamoose
This boy-girl duo from California took a Michael Jackson classic, added a xylophone and a female vocalist and made a brilliant remix.  You have to hear it to believe it.

5. All I Wanted – Paramore
There is absolutely nothing about the first minute of the last song on Paramore’s brand new eyes that lets on to how intensely it ends.  At the beginning you think you’re listening to a low-key outro, and then they let the full force of Zac Farro’s drumming and Hayley’s voice go and you’re blown away.

4. Daylight (Stic.Man RA-mix) – Matt & Kim
Matt & Kim had a partnership with Mountain Dew’s Green Label Sound that allowed them to gain much wider distribution of their hit “Daylight”.  Along with that, a couple of remixes of the song were made.  This hip hop version sounds as though it was written that way originally.

3.  Party & Bull***t in the USA – Miley Cyrus ft. Notorious BIG
A skier from Colorado took Miley Cyrus’s pop hit and threw in some priceless rhymes from the Notorious BIG, thereby upping the song’s cool factor infinitely.  Let’s be honest here, you know you liked the music in that song – now you can enjoy it semi-guilt free!

2. Brick By Boring Brick – Paramore
Hayley’s vocals will blow you away in this song.  She hits notes in the chorus that have to hurt.  The melody is flawless, and the drums are absolutely insane.  But the coolest part about “Brick By Boring Brick” is the allegory flowing through the lyrics.

1. Hell – Tegan and Sara
In this song, Tegan and Sara put a 2000s spin on the 80’s pop-punk sound.  The vocals accent it in just the right places during the chorus.  “Hell” has served as a gateway for me to a love for the chick rock pioneers of the 70’s and 80’s.  I know you feel it too.

Posted: January 4th, 2010 under FYI - No Comments. Tags: , , , , , , ,

Alicia’s Top 20 of 2009: 20-11

Make sure to roll over the icons in front of the song names to hear each song.  If you like it and want to download it, click the link below the video.

Deep South - Cartel
The slow build-up to the soaring chorus makes me happy.  It’s the sound that made me first fall in love with Cartel back in ‘06.

Monoliths – Maserati
I stumbled across “Monoliths” as a Spinner free MP3 of the day.  This song belongs on a spy movie somewhere.  I feel sneaky when I’m listening to it.  Don’t ask me why.

Percussion Gun – White Rabbits
Try listening to this song and not singing along and drumming your steering wheel or tapping your feet (if you’re not driving- safety first).  It’s not possible.

Backfire – MuteMath
I find MuteMath’s sound to be very original, at least amongst my normal fare.  I think their latest release was highly underrated.  “Spotlight” got most of the attention, thanks to its inclusion on the Twilight soundtrack, but in terms of repeat value, Backfire wins out.

4 Songs & a Fight – The Sounds
The Sounds were completely off my radar until I saw them open for Paramore and No Doubt this spring.  Their live show is incredible, and convinced me to buy their album when it was released.  “4 Songs & a Fight” is in the same stratosphere as any release by The Yeah Yeah Yeahs or the Ting Tings in my book.

21 Guns – Green Day
How a serious punk rocker comes up with mega rock anthem after mega rock anthem I do not understand.  But Billie Joe did it again with 21st Century Breakdown, and 21 Guns rightfully ruled the airwaves for a good portion of the year.

Everybody on the Floor – LoveSick Radio
If you’ve never heard of Columbus, OH pop-punkers LoveSick Radio, please acquaint yourself.  They take the pop punk sound, combine it with reflection on loves lost and a playful life outlook to create one of the best live shows you’ve probably never seen.  This song is their best, in my opinion, and is every bit as good as anything ever put out by Boys Like Girls or Forever The Sickest Kids.  Listen to it, and if you’re a pop-punk fan, request them on your radio station!

I Get Off – Halestorm
This is one of my guilty pleasure songs for the year.  With a lead singer who goes by “Lzzy”, you can pretty much expect some sass in the band’s music.  Lzzy Hale’s aggressive vocals carry the song, but there’s plenty of substance in the drumbeat and rhythm guitar to make it an all-around great head-banger.

Rust (The Short Story of Mary Agnosia) – Anchor & Braille
This song was released as the third available stream from Stephen Christian’s side project.  I was on the fence about the sonic direction Anchor & Braille was headed from what I’d heard so far, but this song proved its worth to me.  Christian’s voice, normally found amidst the hard-rocking sound of Anberlin, sounds like it belongs in this laid-back, wondering world.  The somewhat haunting chorus stays with you even after the song is over.

Right Round – Flo Rida
Another guilty pleasure song.  As far as Top-40 pop music goes, Flo Rida’s take on the 80’s classic “You Spin Me Round (Like a Record)” was one of the most fun songs of 2009.  It got lots of play during my workouts this year.

Posted: January 1st, 2010 under FYI - No Comments. Tags: , , , , , , , , , ,

Show ‘em how funky…

I am obsessed with this cover today.  I may have listened to it 10 times already.  Check it out…

Pomplamoose covering Michael Jackson’s ‘Beat It’

Like it?  Download it for free from Pomplamoose’s MySpace.

Posted: December 1st, 2009 under Freebies - No Comments. Tags: , , ,

The Heart and Soul of American Modern Rock

Saving AbelMy concert buddy Eric and I caught the Saving Abel show last night and I have just a couple things I wanted to talk about:

1.  Dude in the front row who, as you were headed away from the stage during the second band, drunkenly stumbled onto the kids enjoying their first show ever, a question:  Why in the world would you pay $26 for a ticket to buy $5 Bud Lights to get wasted, wake up with a hangover, and not remember anything about the show?  If you wanted to get trashed in the span of 30 minutes, there are bars all up and down the street you could have gone to for much cheaper.  It’s a tough economy, bro.  Let’s be smart here.  To say nothing of the rock experience you missed out on.

2.  I find it interesting that a great percentage of modern rock fans wear Affliction clothing .  This is the second rock show I’ve been to in the last week where there was a quantifiable number of people – both men and women – with “Affliction” written across their chests and back.  Who started that trend?

3.  Finally, why does patriotism seem to be so widespread in the modern rock world?  Two of last night’s bands – Red and Saving Abel – dedicated songs to the “men and women overseas fighting for our freedoms”.  Appropriate, considering that today is Veterans’ Day, but they’re not the only rock bands I’ve heard express that sentiment.

  • Three Doors Down helped promote the National Guard with their song “Citizen/Soldier”.
  • Kid Rock donated 50 cents per ticket sold on his 2009 summer tour to Operation Homefront, an organization that aims to support the troops stationed abroad and the families they leave behind.
  • Flyleaf took a trip to Afghanistan to play shows for the troops stationed there.
  • Shinedown, Staind, and Creed have all taken USO tours.
  • Drowning Pool has a website called “ThisIsForTheTroops.com”, where they ask fans to sign a petition to Congress to take action to support the troops’ mental health and morale.

Perhaps I’m missing something, but I haven’t noticed this type of extensive support come out of any other genre, and I wondered why.  It seems kind of strange, especially since their predecessors – the greats of the rock ‘n roll era – were the ones leading the anti-war movements of the 60s and 70s.  I have a theory on why this is.

American FlagMy observation is that those who create modern rock music and those that enjoy listening to it are generally blue-collar, middle-American boys and the girls who love them.  I’ve heard a lot of crap thrown in the general direction of modern rock bands and their fans lately.  It seems like music snobs everywhere have something to say about Creed’s crappiness, how much of a tool Chris Daughtry is, or how Nickelback has never put out a quality song (yes, I realize Nickelback is Canadian, but you can see my point).  And while a lot of the time the bands and their fans may fit the stereotypical beer-swilling, strip-club loving, football-playing, and yes, Affliction-wearing caricature, I don’t think those things are what ties the modern rock culture together.

I believe that the things at the heart of American modern rock come from a place in the soul where emotions run deep and where shared experiences and loyalty are held dear.  Modern rock lovers are are the Americans who come from communities where everybody knows somebody who’s been sent to fight overseas.  I think you’ll find it in the lyrics of the songs on your local rock station.  Topics like love, sorrow over loss, broken families, and the pains of life are frequently covered there.  Much of the lyrical material discusses subject matter you won’t often overhear spoken about on your average construction site or in your local sports bars, yet the clientele is the same.  If the lyrics are a window into the soul, the music they’re set to provides the heartbeat.  Gravelly vocals, hard-hitting drums, wailing guitars – these give fire to the fight.  You’ll not find themes of surrender in these songs.  Defeat, at times, but never for lack of a fight.  It seems only fitting that this is the type of music that our soldiers should be able to look to for support.

I’m by no means trying to say that modern rock artists and fans are better Americans than those of any other genre.  But for all the flack they take, I’m glad these fighters are Americans and I’m proud that they’re taking their stand.

Posted: November 11th, 2009 under Just Thinking - No Comments. Tags: , , , , , , , , , , , , , , , ,

There Cannot Be a Close Second

Today, one of my most highly respected groups, Copeland, announced that they would be disbanding following a farewell tour next Spring.  The AbsolutePunk.net post announcing the break-up has generated 425 comments, the majority of which reflect shock and sadness at the revelation.  My feelings are the same.

Copeland created music that was, for lack of a better term, life-affirming.  It’s the kind of music that invites you to listen – alone in your room, driving down the road, somewhere focus is possible.  It requires reflection to appreciate and it carries none of the flashy affectation that has become the hallmark of so much music today.  Aaron Marsh’s falsetto and the band’s ability to combine subtlety and intensity in the same record gave the band a platform that none of Copeland’s contemporaries have yet been able to share.  Read through the lyrics of any Copeland original and you will find a thoughtful commentary on life, love, sadness, hope, and despair.  Soaking in the words and the heartfelt effort behind turning them into song has proven cathartic during some of the most emotional and stressful times in my life and I know I’m not alone in that.  I believe Copeland’s music will serve to inspire a new generation of songwriters willing to bare their hearts to their listeners.

Goodbye, Copeland.  Godspeed, Aaron, Jon, Bryan, and Stephen.  May your future projects be as rewarding as this one has been!

Posted: October 29th, 2009 under FYI - No Comments. Tags: ,